DSLR Cinema

Video-capable DSLR cameras give filmmakers a quality previously impossible without high-end cinema cameras. Exploring the cinematic quality and features offered by hybrid DSLRs, this book empowers the filmmaker to craft visually stunning images inexpensively.

Learn to think more like a cinematographer than a videographer, whether shooting for a feature, short fiction, documentary, video journalism, or even a wedding. DSLR Cinema offers insight into different shooting styles, real-world tips and techniques, and advice on postproduction workflow as it guides you in crafting a film-like look.

Case studies feature an international cast of cutting edge DSLR shooters today, including Philip Bloom (England), Bernardo Uzeda (Brazil), Rii Schroer (Germany), Jeremy Ian Thomas (United States), Shane Hurlbut, ASC (United States), and Po Chan (Hong Kong). Their films are examined in detail, exploring how each exemplifies great storytelling, exceptional visual character, and how you can push the limits of your DSLR.

* Inside perspective from a master class of DSLR shooters * Emphasis on visual technique related to great stories * Progression from the fundamental tools needed by DSLR shooters to advanced techniques * Wide array of technical information: composition, lighting, camera movement, lenses, audio, postproduction workflow, and more * Lavish, full-color illustrations showcase real world examples from real DSLR videos * Companion Web site shows you the films discussed in the book, and more

"A huge thank you to Kurt Lancaster for giving a voice to HDSLR in this new trail-blazing book." -Shane Hurlbut, ASC (DP of Terminator Salvation)

"This book should be in every camera bag. A rich, comprehensive, and poetic examination of how filmmakers and cinematographers are creating stunning moving imagery with HDLSRs." -Rodney Charters, ASC (DP of TV series, 24).

"Kurt has written a masterpiece in HDSLR books-something that everyone starting to make a movie should read."-planetMitch (www.planet5D.com)

"Out of nowhere, two DSLR cameras came out, and over a period of 18 months, they have been embraced by everyone from Lucasfilm to keen enthusiasts .. This is easily the most exciting time I have experienced in my 20 or so years in the business."-Philip Bloom, DP, Director, Filmmaker (www.philipbloom.net)

"It tells me exactly what I want to know - how to get the LOOK that I need. Hats off to the author for tackling this subject. It make the book INVALUABLE for the DSLR filmmaker." -Julian Grant, Producer/Director

"It will spread the revolution and introduce people to this way of thinking...it would be a must read for anyone who has been filming for a year or two and still thinks in the old ways of looking through a camera." -Andrew Jones, Cinematographer

"If you are new to filmmaking with a DSLR camera and are looking for a place to get started, or if you are a seasoned filmmaker and just want to add some knowledge to your experiences, DSLR Cinema: Crafting the Film Look with Video is a great place to start that will give you solid information that you can put into practice immediately." - Tracey Lee, dslrcinema.com

"[T]his is the best book/training material about HDSLR video I have seen so far.. It summarizes of all the information available on the net about HDSLR on top of which Kurt has added interesting case studies and behind the scene tips from other shooters."---Canon5DTips

"A valuable reference to DSLR camera abilities, offering case studies from an international cast of DSLR shooter and covering all the basic tools, techniques, and composition opportunities of DSLR."--CA Bookwatch

"This is a fantastic resource for anyone just getting into the DSLR game. It has tons of information on using these cameras for the good of film kind. Kurt does a great job of breaking down everything from equipment to technique."--WideOpenCamera.com

"It's rare for me to make a simple, blanket, superlative statement like this, but I absolutely love this book. I'm usually suspicious of technology specific books like this that would logically become outdated with the release of 'next years model' of camera or technology, but this book is different for so many reasons. Its difficult to narrow down what I loved most about this 320-page soft cover] book, but pressed I would have to say the professionals' comments. Digital Single Lens Reflex (DSLR) shooters from around the world explain their experiences with this new technology and I couldn't get enough (luckily Lancaster has a website where the fun continues).. The book is inspiring, well written, excellently paced and chock full of pictures, screen shots and illustrations that tie everything together. One of the best cinema production books I've read."--VideoMaker Magazine